Beijing Workers Stadium seems to have become the fashion circle, the newly opened door to enjoy the North Banquet pot by the China Taiwan designer Tsai Tzung-Chi design is completed, as if one group of Chinese Landscape.
Body:
Enjoy the dinner pot restaurant is located in the Beijing Workers Stadium, the fashion capital of the north gate circle, like the back of their spatial and temporal context of North China during the Northern Song Dynasty landscape painting of the Great Teacher wide "Xi Mountain Streams," Tsai Tzung try to aim at the design's conception into the Chinese landscape space, a modern approach to interpretation of the trees and rocks, trees, winding of the water, people travel, housing Sheva buildings, etc., and Gao Taishan body drop, to highlight the level of space; with painting in the blank , the whole space is divided into before, during and after the three sections, the Chinese literati's conception to present this space empty between the level of the restaurant's atmosphere and culture.
From the entrance to the reception room lay out, I hope people from the complex secular, and slowly into a feeling of emptiness; to floating heart precipitation. Then, re-use the gap height of 5 meters, the steel ladder into the coarse ore boulders to point out the momentum space: the winding down after water from the stair railing and splashing on the rocks.
Upstream on, into a piece of wood (private room) and bamboo (glass wine rack) to carry out a mixed, boot into the middle space; when people travel, crowded (transparent in the kitchen cooks with customers, there is vision, taste , enjoy the sense of smell feast); taste apart, inadvertently, line of sight through the transparent kitchen, bakery acquaintance with the sight of the intersection, sip a toast!
Back-space: the Houchu combination of space and materials into space as a display; seafood pond of live seafood, like the freshwater streams, the Pro with the individual areas, customers can directly choose from to watch the ingredients, processed After the ingredients can immediately enjoy the freshness of the ingredients as a kind of respect and gratitude. Part of the bathroom from the rear section started to use some special processing to elaborate: If the wood of trees and rugged styling of the original stone rubble mixed fight, leading into the depths; suddenly sprung a stunning sight: the Chinese interpretation of overlapping Iron type of flower windows, little light through the mirror of Yunnan refraction of light stone, decorated the lobby of the men and women shared the dream like environment; into the male guard space, the real bamboo embedded in concrete walls, adorned with all kinds of light through the earth mosaic of reflection, in all black glass-enclosed section, God with Mi in the quiet atmosphere of a spatial experience. Female Guardian space, water walls out of a large peony mosaic, as in white rice paper render the tender and beautiful red flowers.
In this design, Tsai Tzung-Chi try to use simple and inexpensive materials, create a special texture, buried the dead wood and bamboo, cement wall, the use of grouting stripping, slowly cut out dead wood and bamboo-type ; a bit like a large-scale murals, there is a natural rugged scenery, but also a bit like ink sketches.
Located inside the restaurant workers, is a new desktop hot pot restaurants, managers want to think from the customer's point of view, and then change the habit of eating hot pot, including the way of food on plate, stick material, so the order of the meal, eat pot is no longer a messy table full of food, but had to be carefully designed: for example, dial the second floor of different shapes, rotation does not interfere with each other, both beautiful and functional again.
Pot size and material, etc. are tailor-made, while extending to the kitchen and sitting area of the orchestrated, is built around a concept: that of a visual and gustatory enjoyment; customers to enjoy a show as if - the cook show, food show, the performance and display space for performances.
Legend:
From the entrance to the reception room lay out, I hope people from the complex secular, and slowly into a feeling of emptiness.
One of the second floor private dining room.
Crude ore to steel ladder into the stone to point out the momentum space.
Houchu combination of space and materials to as a display into the space, confronted with individual areas.
A modern approach to interpretation of the trees and rocks, trees.
A modern approach to interpretation of the trees and rocks, trees.
For odd tree-lined area.
Buried the dead wood and bamboo, cement wall, the use of grouting stripping, slowly carved into dead wood and bamboo-type; a bit like a large-scale murals, there is a natural rugged scenery, but also a bit like ink sketches.
Second floor corridor, into a piece of wood (private room) and bamboo (glass wine rack) to carry out a mixed, boot into the middle space.
Female Guardian space, water walls out of a large peony mosaic, as in white rice paper render the tender and beautiful red flowers.
M Wei space in the glass-enclosed section of the black, the God with Mi in the quiet atmosphere of a room for a new experience.
